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Inflating Serial Cover

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Peter Leroy Wearing Headphones
CHAPTER 12 SAMPLE
AUDIO BOOKS PAGE


Chapter 12
Not That Kind of Boy (or Girl)
 

I NEVER ASKED Patti to allow me to walk her home; it was always she who asked me.  She would say, “Hey, Peter, come on and walk me home,” and sometimes she would add, “My mother loves it when you walk me home.”
    The shortest way to Patti’s house, the route we most often took, began with a walk south along Purlieu Street, where we had an audience of our schoolmates, walking with us or passing us in cars and buses.  Many of them had something to say as they went by, and much of what they said was meant to be insulting, but it wasn’t insulting enough to make me want to abandon the walks, because it was also thrilling.  After all, I was walking with the most desirable little package in Babbington High, and everyone noticed.
    When we passed Stillman’s delicatessen, we would stop and look at our reflection in the window.  Patti would smooth her clothes and hair, and she would usually straighten me up a little, too.  When she had me looking the way she wanted me, she would give me a little pat and say, “There.  You look nice.”
    Just beyond the delicatessen, we would slip through a gap in a board fence and slip out of the public eye.  We followed a winding path through a scruffy wooded lot, where the ground was uneven, and from time to time I would assist Patti with a touch or an offered hand, which she would accept.  When we left the wooded lot, we would walk along the edges of the back yards of three houses occupied by old women with nothing better to do than watch us walk by and cluck their disapproval.  Then we would approach Patti’s house from the rear, but we would always go around it and enter from the front, because Patti’s mother thought it was common to let guests in through the back door.
    Patti’s mother was always glad to see me, and once, after I had left and was walking around the side of the house on my way home, I heard her exclaim, “What a nice boy he is!  Just the kind of boy a mother wants her daughter to bring home.”
    On my way from Patti’s to my house that afternoon, walking back along the path through the wooded lot, I tried to read its litter as an archeologist would, looking at the beer cans and cigarette packages and condom wrappers for some sign that would tell me whether this was a place where Patti’s charms had been bestowed, had been enjoyed.  I couldn’t tell.  When I reached Stillman’s, I looked at myself reflected in the window, in my corduroy pants and checked shirt, and I thought that I might as well be wearing a sign that said Nice Harmless Little Boy.
    By the time I reached home I was thoroughly depressed.  I didn’t want to be that kind of boy, and I comforted myself by telling myself that really, deep down, in the secret recesses of my heart, I wasn’t that kind of boy at all.

ON THE DAY WHEN Patti walked me home for the first time, we didn’t pass Stillman’s deli, since I lived in the opposite direction, but we did pass the Babbington Heights Florist Shop, and we stopped there to look at ourselves in the window.  I was stunned by what I saw.  There was something about seeing us standing there side by side and being on the way home, to my house, to introduce Patti to my mother, that made me think I could see Patti as my mother would see her.  My jaw dropped; my eyes popped.  I looked her up and down, and I looked her up and down again. 
    “Hey, what’s with these looks you’re giving me?” she asked my reflection.
    I couldn’t tell her that I feared that everything about her that appealed to me was going to scare the living daylights out of my mother, so I said, “It’s—I’m just—”
    “Yeah?”
    “I think my mother—look—I—”
    “You think I look like your mother?”
    “No!  I—”
    “You don’t want me to meet your mother, do you?”
    “What?  What makes you think—”
    “You don’t want your mother to meet me.”
    She looked down at the sidewalk.  Her feet, in sexy little black boots that came to her ankles,  were pressed together, side by side.  She held her arms straight down with her fists clenched.  Her brow was furrowed, and she was pouting.
    “I know what they say about me,” she said.  She turned toward me, and there was a tear in her eye.     “You know what they say about me, don’t you?  ‘She’s not the kind of girl you’d take home to meet your mother,’ that’s what they say.”  She raised her head high and stuck out her chin.  “But I’m not that kind of girl,” she claimed.  “I’m not the kind of girl you wouldn’t take home to meet your mother.”
    She turned back toward the florist’s window.  So did I.  We both inspected her reflection.
    “Am I?” she asked softly.
    “No,” I said, although she might as well have been wearing a sign that said Slut.  “Come on.”  I took her hand, and we held hands all the way to my house, and all that way I was hoping that my mother might not be at home when we got there and hoping that what I hoped didn’t show.
 


Hankering for a way to support this work?
Here's a swell idea from Eric Kraft's perky publicist, Candi Lee Manning:
Tip the author.
As Cyril (rhymes with squirrel) Connolly put it in his very gloomy book, Enemies of Promise:
"I should like to see the custom introduced of readers who are pleased with a book sending the author some small cash token: anything between half-a-crown and a hundred pounds.  Authors would then receive what their publishers give them as a flat rate and their 'tips' from grateful readers in addition, in the same way that waiters receive a wage from their employers and also get what the customer leaves on the plate.  Not more than a few hundred pounds—that would be bad for my character—not less than half-a-crown—that would do no good to yours."
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Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.


ABOUT THE PERSONAL HISTORY
COMPONENTS OF THE WORK
REVIEWS OF THE ENTIRE WORK
AUTHOR’S STATEMENT

LITTLE FOLLIES
HERB ’N’ LORNA
RESERVATIONS RECOMMENDED
WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
PASSIONATE SPECTATOR
MAKING MY SELF
A TOPICAL GUIDE

CLASSIFIEDS
SWELL IDEAS

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