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Chapter 19
Morphology and Aesthetics of Clam Boats
 

A BOAT FOR HARVESTING CLAMS from the bays and basins of coastal waters must have a hull with a shallow draft; a deck that is flat and unobstructed; a cabin; and a hold.  Those are the essentials (and they also apply to boats for harvesting scallops or oysters).
    The expanse of unobstructed deck should extend entirely around the boat so that the clamdigger can work from every side, manipulating the tongs or rake on the bottom to dislodge and raise the clams.  There can be no railing of the type that would prevent passengers from falling overboard or against which romantics could lean when murmuring sweet nothings and watching the moonlight play on the rippling water, since such a railing would impede the digger’s action, but there should be a low rail, just a strip of wood running around the perimeter of the deck to prevent the harvested clams from slipping off the deck and into the water.
    The cabin should be small.  It must provide protection from the elements, but it must not be comfortable, for if it is comfortable, the digger who has retreated to it for shelter from the heat o’ the summer sun or the stinging bite of winter’s icy blasts may be unwilling to leave it and return to the work, which is tiring and tiresome; or, having in his cozy cabin a place to think, he may conclude that he’s a lonely mite in a world that cares not one whit what becomes of him and fall into inconsolable despair, making him emotionally incapable of returning to the work or, finding the cabin such a comfy place to relax, he may invite women aboard, and they will probably distract him from the work; and this is a boat that is made for work.
    There should be a hold, where the clams can be put out of the summer sun so that they don’t get steamed before they reach the table.  The hold isn’t strictly required, though; the captain of a very small clam boat (who is captain and crew in one handy package), having no hold, is likely to keep the clams cool by throwing buckets of bay water over them now and then.
    The simplest way to provide the essentials of a clam boat is to build a scow, a rectangular flat-bottomed boat with sloping ends.  Add a shack as a cabin, and you’ve got a clam boat.  It’s not hard to build such a boat, nor is it expensive.  A person can build one of these clam boats in his back yard, and many have.  You could.  It does the job, and it’s cheap, but it’s a graceless thing.  Even if the builder gives the various rectangles the classic proportions of the golden section, the result is still a stack of boxes.

Inflating Serial Cover
 

eBOOK PAGE

Peter Leroy Wearing Headphones
CHAPTER 19 SAMPLE

AUDIO BOOKS PAGE
Clam Boat in the Form of a Scow
My sketch of a basic clam boat, a scow.
Oyster Boat in Arcachon

The scow is such a simple and obvious design for a clam boat that it is nearly universal; this picture of an oyster boat, which Albertine snapped last year in a settlement of shellfisherfolk along the inner edge of the Bassin d’Arcachon on the Atlantic coast of France, could have been taken in Babbington when I was a boy, except that the clam boats of Babbington were gray and the oyster boats of Arcachon were as colorful as my mother’s little pastel sandwiches.

 
    There is no need for a clam boat to be beautiful, yet some are.  If you had visited Babbington when I was a boy, you would have seen some clam boats different from those boxy utilitarian scows, a curvaceous bunch of boats, curvy not because someone thought that curves would make them beautiful or sexy, but because they had originally been designed to sail.  Arcinella was one of these. 
Clam Boat with Curves

My sketch of Arcinella, from memory.

Clam Boat in Babbington

A clam boat with some of Arcinella’s attributes, photographed near Babbington. (The devices on a rack above the cabin are tongs for harvesting clams from the bay.)

 
    If a clam boat can be said to be beautiful, Arcinella was a beauty, though she was no longer young.  She had a past, which we knew, or thought we knew, from Captain Mac.  Long ago, she had been under sail, a working boat, carrying goods from one town on Bolotomy Bay to another, but when sail gave way to power, and shipping by water gave way to shipping overland, Arcinella was abandoned, a casualty of progress.  She spent the war years in a shallow backwater of the Bolotomy River, anonymously settling into the muck, and when Captain Mac’s father found her she was well on her way to becoming a rotting hulk. He bought her for next to nothing and transformed her from sail to power, from shipping to clamming.  He pulled her from the water, and in Leech’s Boat Yard he removed her mast and rigging, cut her keel down and rebuilt her bottom to give her a very shallow draft so that she could float in the shoals of the bay’s clam flats without scraping her hull.  He installed a six-cylinder engine from a 1946 Studebaker Champion, driving her prop through the first and reverse gears of the car’s transmission.  According to Captain Mac, his father had undertaken the project with the intention of selling Arcinella, but when he looked her over and saw what he had wrought, he was struck by the beauty of her, seduced by the beauty of her.  Stripped down, without her mast and rigging, the lines of her hull and the gentle curve of her gunwales showed to better advantage than ever before.  She was sturdy and stable, broad in the beam, solid but graceful, a beauty.  The Galatea effect kicked in. He kept her.
 

Do you find yourself muttering, “Gee whiz, I wish I could do something to support the good work Kraft is doing in that dusty garret of his.”
Well, here's a swell idea from Kraft's spirited publicist, Candi Lee Manning.
Do a little shopping at Babbington Books.
Every order helps Kraft by funneling funds to him through the Forever Babbingtonian Foundation, a fictional outfit that I've created expressly for the purpose of funneling funds to Kraft (clever me!), and every title in the shop sheds a little light on the Personal History, Adventures, Experiences & Observations of Peter Leroy.

Babbington Books

We list just a few titles at any one time, and virtual stock boy Mark Dorset rotates the stock weekly, so that the offering is always fresh.  Do drop in.
You'll find more swell ideas from Candi Lee here.


Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.


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