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Inflating Serial Cover

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Peter Leroy Wearing Headphones
CHAPTER 18 SAMPLE
AUDIO BOOKS PAGE


Chapter 18
Oo, Oo, Oo, What a Little Moonlight Can Do
 

IF YOU’RE TAKING NOTES, jot this down: never buy a boat while you are under the beguiling influence of moonlight.  Captain Mac kept us in his tiny house, telling us stories and delaying the moment when he finally gave in to our pleas and said that he’d let us see Arcinella until the clouds had begun to part picturesquely and moonlight shone on the narrow path that led from the end of Bay Way through some cattail rushes to the canal.  The path was so narrow that we could walk it only in single file.  Captain Mac stood to one side and suggested that my mother should go first, followed by Patti, followed by me, with himself last.  As a result, my mother saw the moonlit boat first, alone, and became a victim of the phenomenon known as love at first sight.  Patti might have been less susceptible to the phenomenon if she hadn’t found my mother already beguiled, and I might have been able to play the part of the rational and dispassionate cynic if I hadn’t arrived to find the two women I most wanted to please cooing and mooning and all but swooning over Arcinella,  a luminous vision floating on the silver water, her wet deck glistening. 
    Only after the moonlight and Arcinella’s graceful lines had done their work did Captain Mac join us and ask, unnecessarily, “Isn’t she a beauty?”
    “She is,” we breathed.
    “Of course, beauty is only skin deep,” he said.  We clucked and frowned as if he’d insulted our Arcinella.  “I suppose you’ll want to take a look at her innards, poke her and prod her, give her a good going over.”  He made it sound obscene.
    “Oh, I don’t know,” said my mother, gently.
    “That’s what the other people said they were planning to do, give her a good going over.”
    “Other people?” asked my mother
    “The people who looked at her before you.”
    “You didn’t mention anybody—”
    “They’ll be back first thing tomorrow—bringing somebody who really knows boats—”
    “Oh,” said my mother, and then, brightening, she announced, incredibly, “Peter knows boats.” 
    “Does he now?” said Captain Mac.
    “Some,” I said, exaggerating.
    “Well, then, I expect you’ll want to get into her,” he said, with a be-my-guest gesture that, it occurs to me now when I recall it, might have been ironic and patronizing.
    “Right,” I said.
    I stepped aboard, made my way gingerly along the deck to the cabin, fumbled with the latch, and crouched to crawl through the opening that led below, into the dark.  I found myself on a narrow planked way laid over the ribs of the hull.  The air down there was dank, and it smelled of dead clams, sea water, motor oil, and gasoline.  I couldn’t see much, but that didn’t really matter, since I had no idea what to look for.  I spent some time running my hands over Arcinella’s engine and wiggling its wires and belts.  Then I began inching forward, picking up whatever I found and putting it back down, making as much noise as I could to show that I was on the job.  I’m certain that Patti and my mother wouldn’t have considered Arcinella’s innards beautiful, but I could tell that the space below decks would be a fine place for a boy to go to work.
    When I came to a porthole, I looked through it and saw Patti and my mother standing on the bulkhead, side by side, gazing at the boat and talking in low tones.  They had their heads together, and from the blissful looks they wore I could tell that they were praising Arcinella’s attributes and dreaming.  In the moonlight, it was easy to join their dream, to sign on as lad of all work—cabin-boy, waiter, bus boy, it didn’t matter—and it was easy to imagine the lazy hours the lad would pass in the company of Elegant Ella’s sexy sidekick, who would probably, in her role as hostess, wear a very revealing low-cut satin gown.  Even Captain Mac looked good in the moonlight, puffing on a corncob pipe, squinting with the gruff but kindly look of a simple, honest old salt.  I could give all of these people what they wanted with a single word, even a wordless gesture, a thumbs-up, a nod of the head, even the right kind of smile.
    I’d been below long enough.  I pushed the hatch upward and rose from the hold.  My mother and Patti laughed and applauded.
    “Very dramatic, Peter,” said my mother.
    No one said anything while I made my way back onto the bulkhead.  Then, with a nervous grin, my mother asked, “Well?”
    I glanced at her.  I glanced at Patti.  Why not?  How much could possibly be wrong with the boat, after all?  If she had served Captain Mac so well for so long, standing up to the demands of clamming, she should find life easy with us.  I smiled and nodded, and they threw their arms around me and hugged me as if I had just given Arcinella to them as a gift.  In a blissful blur, I watched my mother write a check to Captain Mac, who wished us luck and left.  For a while we stood there smiling in triumph, but then, with a start, my mother said, “I haven’t made dinner.”
    We got into the car and started for home.  Somewhere along the way, clouds drifted in again and hid the moon, and we began to have our doubts.
 

Emerson Radio

SIXTY SECONDS OF "WHAT A LITTLE MOONLIGHT CAN DO," PERFORMED BY BILLIE HOLIDAY WITH
TEDDY WILSON AND HIS ORCHESTRA


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Copyright © 2001 by Eric Kraft

Inflating a Dog is a work of fiction. The characters, incidents, dialogues, settings, and businesses portrayed in it are products of the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. 

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author. 

Picador USA will publish Inflating a Dog in the summer of 2002.

For information about publication rights outside the U. S. A., audio rights, serial rights, screen rights, and so on, e-mail Kraft’s indefatigable agent, Alec “Nick” Rafter.

The illustration at the top of the page is an adaptation of an illustration by Stewart Rouse that first appeared on the cover of the August 1931 issue of Modern Mechanics and Inventions. The boy at the controls of the aerocycle doesn’t particularly resemble Peter Leroy—except, perhaps, for the smile.

“Patriot” Radio, designed in 1940 by Norman Bel Geddes (American, 1893-1958) Manufacturer: Emerson Radio and Phonograph Corporation (New York, New York) Catalin John C. Waddell Collection, image from the website of the Metropolitan Museum of Art, NYC.

Recorded in New York city on July 2, 1935. Roy Eldridge, trumpet; Benny goodman, clarinet; Ben Webster, tenor sax; Teddy Wilson, piano; John Trueheart, guitar; John Kirby, bass; Cozy Cole, drums; Billie Holiday, vocal.


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WHERE DO YOU STOP?
WHAT A PIECE OF WORK I AM
AT HOME WITH THE GLYNNS
LEAVING SMALL’S HOTEL
INFLATING A DOG
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